Category Archives: software - Page 2

studio improvements

There are so many places to look for information on productivity online that it feels like there is a system for everything. There are studies to tell me that keeping a TODO list will save me time and all manner of strategies for keeping my email inbox empty. I can find applications that make mind maps and transform them into lists of actions and will manage my projects from conception to implementation. It’s all so very attractive because I have a strict and regimented limit on my creative time. But no matter how much time I spend with this “productivity porn” I come back to the fact that it takes very little to keep me on track and though the items are few, they are required. A windfall and some minor changes have highlighted what a difference a few minor changes can make.

My dad and stepmom are preparing for a move across town (as opposed to across the country) and as is their custom, they are lightening their load before they go. They’re pretty freakin’ organized and as a result any item without a clear function or reason for its existence is purged. In this iteration I acquired a chunk of a very nice sectional desk for my studio. There’s a corner piece and a bullnose table that connects to it. This addition has taken dead space in my studio and made it usable. It has also replaced a simple folding table with something that looks much more professional. It has, in the parlance of our home, reduced the hobo factor.

With the new desk in place, I started to see the need to get organized and clear out some stuff that had lost its purpose. I had a lot of old tech gear in the closet that was doing nothing but taking up space. There were cables and notebooks and widgets that were collecting dust and following me from house to house. It all had to go and once that process started, it was impossible to stop.

tick...tock...tick...tock...

There were some suboptimal features to my studio that were addressed with a small investment of time and money. The blinds on the window didn’t go up or down properly. I got new miniblinds. My closet had no door. I hung one. The shelves were loaded with sentimental toys and gadgets. I gave them to the boy. The windowsill was covered with tools. I put them in the closet (and closed the door!). Anything that brought a sense clutter or detracted from the appearance of the room was either pitched or removed from sight.

[Note: I put very little in the trash. Most of this stuff will be going to charitable organizations after our neighborhood garage sale. Just sayin’ that I’m doing my best to be a good hippie!]

The result of all of this is that my studio looks far more professional. There are still plenty of personal knicknacks, photographs, and things that inspire me, but the clutter is gone. There is a sense of calm when I enter the room. I’m finding that this is a requirement for my sustained creative work. With fewer distractions it’s easier for me to remember why it is that I’m in there and to get down to business. In short, the room expresses its purpose. It’s also far more inviting; like having a creative oasis next to the guest bathroom.

There is very little time in my day for creative work. In order to be happy, I have to squeeze everything I can from every second that I’m in there with the door closed because when the door swings shut, the timer starts. All obstacles need to be cleared before that golden hour and the environment needs to be as close to perfect as I can get it because I know that I won’t be.

Future improvements involve putting candles in the weird monkey candelabra and shifting some of the things that are hung on the walls. Orderly doesn’t mean less fun or lacking in ambience. In fact, things like keeping the lights low and having something to play with while I listen are just as important as a clean work surface or a tuned guitar. Now that the retooling of the room is complete, the fine tuning can begin.

sunset with heavy reverb

The past two nights have been all about the tools. A new version of Logic would mean plenty of exploration even if this weren’t such a guitar heavy release. What’s killing me is that all of the features that were added are aimed straight at me. I can sit for hours and tweak this parameter or that and get totally lost in the sounds of my guitar. It’s a sensation that is loaded down with heavy memories.

When I was in high school, I managed to save up enough money to purchase a new Fender Stratocaster (American, thankyouverymuch!). It’s black with a white pickguard and a rosewood fretboard. Note the verb tense of that last sentence. It’s still in my studio and will be until the unthinkable comes to pass. In fact, changing out the pickups and electronics is on my winter to do list. That guitar was a turning point for me. It opened up a world of sounds. At the time, I had access to an early 70s vintage Fender Twin amp with the old spring reverb unit. My mom worked, so in the winter when the sun was setting early, I would sit in the basement after school with the last light of the day streaming through the window and play until my fingers hurt or I heard the garage door go up.

green treasure?

Technically, things were much simpler then. I had so few stomp boxes (maybe two?) and the amp itself had little more than EQ, poor grounding, and that reverb unit. But the sounds I could make were astonishing to me even then. There was such subtlety in the range of every pot on the amp. The differences between levels on different pickup settings. The art of blending them together. Searching for my sound was deep research; a mission.

That’s where I ended up last night. There’s the cute ability in Logic now to lay out a pedal board with all sorts of festively designed interfaces. It’s intuitive, quick, and as addictive as having all of those boxes on the floor at my feet. I sat and twisted this knob and that, always listening for the shifts in balance and tone. For that breaking point where the sound comes together and becomes the physical manifestation of my imagination. But rather than hit record and do something that would move the current track forward, I sat and played for a good hour. Not a bit was recorded. This is why I’ll likely stay the hell away from Mainstage. I could get lost in there!

It was beautiful. The guitar was sounding good as the sun went down. I forgot to turn on the lights and when I looked up, time was gone, it was dark, and everything felt right. It reminded me that those are the moments that encouraged me to become a musician. It was never the time spent on stage or performing in any capacity. It was the time alone in the studio. The meditative nature of practicing. Living in the sound and allowing the moment to be whatever it turned out to be. It’s not the kind of thing that can be shared, I don’t think. That’s sad on the one hand, but on the other, we have to admit that some of the great moments of life are spent discovering things in some kind of isolation. That flow should be embraced and celebrated.

software and doors

Friday night we went on the traditional Buy The New Apple OS run complete with dinner. My son loves the Apple store and my dad loves being a nerd. Me? I’m innocently stuck in the middle. We hit the store and my dad immediately went to grab the Snow Leopard and I went to “look” at Logic 9 to see if it was worthy of an upgrade (as if the package could tell me things that the demos couldn’t). My wife looked at me sideways and said “you know they keep it behind the counter.” She makes things like this sound so dirty. The Orange Shirted Nerd (OSN) knew what was going on merely by the look on her face and he swooped in to save me. After hearing those wonderful words “oh just buy it and get it over with!” (she’s too good to me) he dispatched a Blue Shirted Nerd (BSN) to fetch the appropriate upgrade box and I was set. Very pleased was I.

After putting our son to bed, we retired to the couch for some serious upgrade lovin’. Snow Leopard installed on my MacBook Pro in no time. It took a little longer on her MacBook but in the end it was all good. No issues with the install and everything worked just as well as, if not better than, it did when we started. It seems a little faster as it moves around, but the true test will come in the studio tonight.

Then there was the Logic 9 upgrade. If I could do one thing it would be to make the install faster. It was an overnight deal and when I awoke to the sound of my son in the living room asking aloud “computer doin’?” I realized the biggest flaw in the installer is the fact that the only button on the screen reads “CANCEL.” Of course a complete overhaul of the installer wouldn’t have saved me from the evil “are you sure you want to restart” prompt on the screen when I arrived in the living room. Ah the power button. So shiny! So attractive to little fingers! Thank goodness it takes more than one missle key to make that happen. The point of all of this is that the install takes forever so take a book. Also, I shouldn’t leave my laptop on the coffee table.

huh. sidewalk.

More on Logic this week as I revel in the orgy of new guitar setups and effects. In the few minutes I gave it this weekend there was just too much tasty goodness. I am optimistic that the new stuff will inspire some sort of creative weirdness.

I read Ignore Everybody: and 39 Other Keys to Creativity by Hugh MacLeod this weekend. He’s the guy that does all of those really cool business card cartoons. I followed his blog for a while years ago, but sort of lost it in the shuffle of my move to Texas. He has a lot of ineresting stuff to say in this book that comes out of his blog. It’s another book that says a lot of things that you already know but his experience lends it a lot of credibility. There’s this confirmatory feel to the book that gave me the sense that I might be less nuts than I think. I need to burn through it again, but it’s a good read and is worth picking up.

That will likely be the last book on the subject of creativity that I read for a while. I’ve read two really good ones and I think I’ll stop there before I hit a bad one (again).

We picked up a closet door for my studio last night so that I can finally cover up all of the stuff I keep in there. It might also keep little hands out of trouble. There is something about a dedicated creative space that is very special and when everything about it is just right, it’s hard to justify not spending more time in it. I think about this a lot, so there will be more about it later. Maybe after I get the closet door hung.

roll with it

The ol’ bag of tricks feels like it has gotten a significant upgrade lately. Making a list of track names before I have any music at all has been brilliant for tricking me into getting started in the studio because with a working title it feels like there is more of a plan. When I look at the list of titles, I have some idea of how that track should sound and because it’s in a list there’s an apparent functionality to it due to its placement. There are some of us who still believe in albums! But what I’m learning is that although I have motivated myself by believing that there is a plan, there is, in fact, no plan.

I was dead certain that what I was doing last night had to have a certain instrumentation to it. When I read the title I knew, I mean I really KNEW that it was destined to be something in particular. My hands didn’t agree. In fact, nothing agreed. The more I played around the more I saw that it had to be something else entirely. Trying to force preconceived notions onto a muse (or whatever) is a losing battle. Sometimes you’re going to paint the Mona Lisa and sometimes you’re going to paint a helicopter. There’s not much wisdom in trying to make one out of the other.

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Learning to roll with it is something that came to me relatively easily. It’s one of the few life lessons I got from doing plays (the other one being don’t date actresses unless you absolutely must). Even as a high school student in front of a crowd of friends and parents the addictive nature of laughter and applause quickly teaches give and take. Interpreting lines or melodies based on reactions and things that are truly outside of your control is an excellent skill to have. Now my home studio is about as far from a stage as you can get but the same lessons apply. I’m the only person in the room but my internal editor, the part of me that does the composing, and my hands all have equal say in what gets done. When two of them are stacked against the other, changes are made. Adapt or go read a book!

Last night I went from wanting to write something very sparse with little melody to something that sounds like Adrian Belew in a surf band. Tantalizing? It probably doesn’t sound like that at all, but when I go to pimp my album you’d better believe I will mention it. I really enjoy the result and I look forward to working on it more today. But it isn’t what I thought it would be. It turns out that’s OK. My new working philosophy is more about doing the work than doing the work I plan or envision. I know I’m supposed to be doing something but until I do it there isn’t much point in fretting over it or getting set up for a particular result. This is something that I will revisit soon.

In other completely unrelated news, it seems that Apple shipped Logic Studio 9 without telling me. I am not the kind of guy who keeps his head in the sand when it comes to software so I was a little unnerved when this was sprung on me by a buddy of mine. I’ve gotten a dozen emails from Apple about Snow Lepoard which will set me back $49 but nothing at all about a $199 upgrade to the new Logic? Not cool, yo. It’s a tradition (since Leopard…shut up, this is Texas and if you do something twice it’s a tradition! Or maybe that’s just A&M…) to go to the Apple store on the day the new OS is released so that three generations of nerds with the same first and last name can buy the best commercial UNIX package out there! I might have to sneak over and pick up Logic while I’m out. It’s not quite like dropping a pack of Juicy Fruit into the cart while mom isn’t looking but the requisite skills for successful execution are the same (does my wife read this blog? I should check the logs). In any case, the new audio editing features are something out of Blade Runner‘s “enhance image” scenes. Being able to push audio around like that is the stuff of dreams for a music tech grad student in 1995. It’s the kind of stuff that will be bread and butter for pop music but a powerful tool for expression in the hands of someone willing to use it in unconvetional ways. And don’t get me started on the new guitar stuff. That pedal board feature makes me giggle. Really, it does. Expect more chatter about this as events warrant.

guitar fret calculator

this is probably useful for a dozen or so people, but man is this cool: http://www.manchesterguitartech.co.uk/fret_calculator.php

i just finished up figuring out the scale of my first from scratch guitar using this thing. good stuff. and i hope that the 1 person of the 2 or 3 that read this blog and might have need of such a thing finds it handy.